Part B
Directions: Read the following test and answer questions by finding information from the right column that corresponds to each of the marked details given in the left column. There are two extra choices in the left column. Mark your answer on ANSWER SHEET1 (10 points )
Emerging in the late Sixties and reaching a peak in the Seventies, Land Art was one of a range of new forms, including Body Art, Performance Art, Action Art and
Installation Art, which pushed art beyond the traditional confines of the studio and gallery. Rather than portraying landscape, land artists used the physical substance of e land itself as their medium.
The British land artist, typified by Richard Long’s piece, was not only more domestically scaled, but a lot quirkier than its American counterpart. Indeed, while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves, Long’s photograph of his work is the work. Since his “action” is in the past the photograph is its sole embodiment.
That might seem rather an obscure point, but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects.
Long is Britain’s best-known Land Artist and his Stone Circle, a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor, represents the elegant, rarefied side of the form. The Boyle Family, on the other hand, stand for its dirty, urban aspect. Comprising artists Mark Boyle and Joan Hills and their children, they recreated random sections of the British landscape on gallery walls. Their Olaf Street Study, a square of brick-strewn waste ground, is one of the few works here to embrace the mundanity that characterises most of our experience of the landscape most of the time.
Parks feature, particularly in the earlier works, such as John Hilliard’s very funny Across the Park, in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.
Generally however British land artists preferred to get away from towns, gravitating towards landscapes that are traditionally considered beautiful such as the Lake District or the Wiltshire Downs. While it probably wasn’t apparent at the time, much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood. Derek Jarman’s yellow-tinted film Towards Avebury, a collection of long, mostly still shots of the Wiltshire landscape, evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.
In the case of Hamish Fulton, you can’t help feeling that the Scottish artist has simply found a way of making his love of walking pay. A typical work, such as Seven Days, consists of a single beautiful black-and-white photograph taken on an epic walk, with the mileage and number of days taken listed beneath. British Land Art as shown in this well selected, but relatively modestly scaled exhibition wasn’t about imposing on the landscape, more a kind of landscape-orientated light conceptual art created passing through. It had its origins in the great outdoors, but the results were as gallery-bound as the paintings of Turner and Constable.
(图片为第二张截图)
今年part b 难度不大,根据文章的内容可直接找到答案
41-45 DEGCA
Section III Translation (15 points )
46. Directions: In this section there is a passage in English. Translate the following passage into Chinese and write your translation on ANSWER SHEET 2.
Most people would define optimism as being endlessly happy, with a glass that’s perpetually half full. But that’s exactly the kind of false. Cheerfulness that positive psychologists wouldn’t recommend. “Healthy optimism means being in touch with reality”, says Tal Ben-Shahar, a Harvard professor,. According to Ben-Shahar, realistic optimists are those who make the best of things that happen, but not those who believe everything happens for the best.
Ben-Shahar use three optimistic exercises. When he feels down-say, after giving a bad lecture. He grants himself that not every lecture can be than others. Next is reconstruction. He analyzes the weak lecture, learning lessons for the future about what works and what doesn’t. Finally, there is perspective, which involves acknowledge that in the grand scheme of Life, one lecture really doesn’t matter.
参考译文:
大多数人会将乐观主义定义为无休止的快乐,永远看到杯中的半杯水。但是积极心理学家并不提倡这种错误的愉悦感。哈弗大学教授Tal Ben-Shahar指出健康的乐观主义意味着联系实际。他认为,切实的乐观主义者是尽情享受已定事实的人,而不是认为一切会尽好的人。
Ben-Shahar进行了三个乐观主义练习。当他情绪低落时,比如说讲座失利,他会原谅不完美的自己,提醒自己并不是每次讲座都能得诺贝尔奖,总有一些差强人意。接着是重塑练习。他会分析不好的讲座,吸取行之有效的教训,已备将来之用。最后是视角练习。这就涉及承认在人生的宏伟格局中,一次讲座真的没那么重要。
点评:
本次翻译难度略高于去年,很多同学不认识optimism这个单词,导致整篇翻译出现方向性错误,这个单词在我们的核心词汇书上有强调,而且在阅读技巧和写作模板白皮书中也是重点词汇,我们一再强调的作者态度词在翻译中考察了。其
次是本次翻译的句型特点,长句不多,但是却很难用合适的中文表达,但是只要大意一致,基本分肯定没问题。
Section IV Writing (25 points )
Part A
Directions:
Going to study abroad and share an apartment with john, local student. Write him e-mail to
1)
tell him about your living habits
2)
ask for advise about living there
Your letter should be about 100 words long. Don’t sign your own name. Use Li Ming instead. (10 points)
范文:
Dear John, Jan. 4, 2013
I am so happy to know that we will be roommates in Harvard University. My name is Li Ming, a Chinese girl, living in the North Part of China. Today I am writing this letter on the purpose of telling you some Chinese habits in order to reach a warm gathering in the next 2 years. Because of 4 years’ living in university, I have developed a habit that get up at 7 AM and go to bed at 10 PM. And as we know, sleeping is very important to us. Thus, I hope you can understand me and tell me whether you can keep this time. Also, please kindly give me some advices about living there. Your early reply will be appreciated. Thank you!
Yours,
LI MING
(图片为第一张截图)
Part B
Directions:
In this section, you are asked to write an essay based on the following bar charts. In your writing, you should
(1)describe the charts and
(2)give your comments about it
You should write at least 150 words on the ANSWER SHEET 2. (15 points)
范文
What is shown in the picture tells us that a trend has taken place in the past 20 years in China. According to the figures given in the bar chart, the population in cities had a sharp rise from 300 million to 666 million. In contrast, the population in rural area decreased from 834 million to 674 million. In 2010, each of them almost shared half of the total population. What can account for this change?
Obviously, some driving reasons that lead to the above tendency may be summarized as follows. First of all, with the development of economy, more people would like to choose to go to cities for a more comfortable and convenient life. In addition, cities can offer more work opportunities. In order to have more chances to improve themselves, more people are willing to leave their hometown to pursue their career. Last but not least, their attitude towards living and working have a great change, compare with that 20 years ago.
Along with the advancement of our society, the trend is bound to continue for the coming years.
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